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No2 ( Section A )

Santigi is the king of the village of mando. He is a good and just king who rules his people well. He is an imperial king. He is the father of kindo. He is deceived by maligu to support the strangers coming to the village. He easily first people and that is why maligu capitalize on that to deceive him.he is highly respected as a king of mando, he counts on white heads promises that he will establish school to teach his people. He feels happy that his people will soon know how to read and write.
As an importal king, he bruished kindo, his son when he commits murder. This rare traits is hardly found these days among Kings. His interest as a king is for the village to be peaceful and progressive. This is a mark of good leadership. He is a quintessence of good leadership importial and truth.

8 )
Tony Lumpkin
son of Mrs Hardcastle by her first husband (Mr Lumpkin) and stepson to Mr Hardcastle. He is a mischievous, uneducated playboy and a very consumptive figure; a fat, ale-drinking young man who has little ambition except to play practical jokes and to visit the local tavern whenever be has a mind; frightens the maids and worries the kittens. Proves to be good-natured and kind despite his superficial disdain for everyone. do Mrs Hardcastle has no authority over Tony, and their relationship contrasts with that between Hardcastle and Kate.
Tony takes an interest in horses, "Bet Bouncer and especially the alehouse, where he joyfully sings with members of the lower-classes. When Tony comes of age, he will receive 1,500 pounds a year. His mother hopes to marry him to her niece, constance Neville, who is in line to inherit a casket of jewels from her uncle. Tony and Miss Neville despise each other It is Tony's initial ception of Marlow, for a joke, which sets up the plot Tony goes to great effort to help Neville and Hastings in their plans to leave the country because he despises her.
Tony's free-wheeling ways ofdrinking and tomfoolery is probably because of the huge inheritance that awaits him when he comes of age.

( 9 )
Use of Contest:
Both phematically and structurally the poem makes use of contrast. The main idea in the poem is developed around two contrasting musical instruments.
These are the jungle drums associated with Africa and the piano which is identified with Europe. They are used symbolically to represent the different countries of people from the geographically entities. The one is simple and nature while the other is sophisticated but complicated.
We all told one is "waiting" while the other speaks or associate with "pulsing" .

( (12)

-Language and tone-
i)The instinctive inclination of the child to learn is suggested by learning itself taking place in a ‘bower', a natural structure. This also suggests that children learn from nature, from their daily living
ii)This contrasts with the unnatural character of the school. The oppressive nature of education is highlighted by emphasising the vulnerability of the child and its associated metaphors of bird and plant: ‘little ones', ‘drooping / droop', ‘worn thro', ‘tender'
iii)The child's unfettered life is associated with words of energy and pleasure: ‘love to rise', sing', ‘sweet', ‘joy', ‘youthful spring'

-A child's perspective-
i)The content of this poem seems to be from the standpoint of an innocent child. However the dictionand style are quite sophisticated. The speaker uses expressions one might expect in eighteenth century poetry, for example, ‘The distant huntsman winds his horn' and ‘learning's bower'.

-rhetorical devices such as-
i)Extended rhetorical questions
ii)Exclamation and apostrophe (‘O!father and mother')
iii)Repeating a pattern three times.

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GOODLUCK.
2018-04-13 21:44 (edited 2018-04-16 14:00 by XCITYNIGERIA ) · (0)

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